P21
May 2013
T
hey’ll never be able to say that
Bina Neuwirth
didn’t leave her mark on
productions at Ethington Theatre on the Grand Canyon University campus.
She played a vampire slayer in “Dracula,” a bombastic Greek god in “The
Frogs” and a daffy homemaker in “You Can’t Take It With You.” In the last of
those, she unintentionally made a big dent in the door of the men’s restroom
at Ethington while making a point during dress rehearsal.
“That was Bina’s destruction of private property,” she says. “It was hilarious,
but I felt bad.”
The door is in much better shape now, and so is Neuwirth as she graduates
from GCU with a bachelor’s degree in theatre performance. In the fall of 2010,
she arrived as a transfer student from Phoenix College, uncertain of how she
would fit in as a Jewish woman on a Christian campus.
“I was a little nervous,” admits Neuwirth, 25, a Phoenix native. “I made
assumptions about people, and that was foolish. Everyone here has
been lovely.”
She assumed, also, that the theatre program – then being restarted after a
lengthy hiatus – would be decent, and it has gone “above and beyond” that.
At the time, she figured it at least would be a better option than transferring
to Arizona State University.
“I knew that if I went to ASU, I’d never step onstage,” she says. “But I had
to switch (from community college) in order to get my four-year degree. At
Phoenix College, we were constantly getting cast in productions. I have a
certain type I can play, and being cast is a blessing.”
Neuwirth didn’t always feel so comfortable about the stage. She says she was
“horribly shy” as a teenager, with stage fright that lasted for years. She can still
recall a community-college acting class in which her voice was trembling and
her hands were shaking, but she stuck it out.
That queasy feeling is gone now.
“Like anything else, if you do something enough, your fear goes away,”
Neuwirth says. “It’s really freeing when that happens.
“You’re so open onstage. It’s you, capturing a human emotion, and it’s like
being torn open.”
Through the direction of Dean
Claude Pensis
and instructor
Michael Kary
,
she says it’s easy for her to see how much she has grown at GCU as a performer.
If she can’t find a suitable master’s degree program in theatre, she says she will
keep auditioning for roles.
“When we started work on ‘The Cherry Orchard’ this year, I could see myself
taking what Claude and Michael had taught me,” Neuwirth says. “I could feel it
rushing at me. They’ve trained me so well. They’re very thorough, and they’re
amazing at what they do.”
Kary says Neuwirth’s willingness to “stretch her abilities” made all the
difference in her development.
“A constant is her intelligent sense of humor,” he says, “and she brought it
to every role and crew position she held. She has a bright future in the
entertainment industry.”
Don’t ask her to choose a favorite role from those she played in three theatre
seasons. She loves them all, she says, and she will miss the Ethington troupe.
“It was always fun,” Neuwirth says, “a free, wonderful, hilarious, open, inviting
environment to be in. It’s as if there were no boundaries. I walked into this
artist’s haven, and at first I couldn’t appreciate it.”
■
Transfer Bina Neuwirth finds
a home in theatre program
BREAKING BARRIERS
Bina Neuwirth overcame stage fright and anxieties about life on a Christian campus
to enjoy her three years at GCU. Photo by Michael Ferraresi
College of Fine Arts and Production
CLASS OF 2013
– by Doug Carroll
